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Reba McEntire and Vince Gill once again sing about the irresistible power of love in “The Heart Won’t Lie.” The song poignantly tells of two people who are obviously in love with each other, but they just can’t admit. However, through actions and exchange of stares, that fondness between makes itself visible. The song is a release from
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Shane McAnally is one of the most prolific and talented songwriters working in country music today. If you (somehow) haven’t heard his name, you’ve definitely heard his work: The frequent collaborator with Kacey Musgraves, Kenny Chesney, Brandy Clark and Sam Hunt has notched dozens of songwriting- and production-related awards nominations, from Grammys to ACM Awards. It’s tough
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Starting her career in the early 1960s, Dottie West stormed onto the country music scene and made history. The first woman to win a Grammy Awards trophy, with “Here Comes My Baby,” West went on to record some of the genre’s most popular duets of the decade alongside artists like Jim Reeves. In the late 1970s, West
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Women in country music have historically had a lot to say, across a wide spectrum of politics and experiences. The genre’s female artists have, for decades, produced thought-provoking art. Many country women have used their music to make a statement: about different views of womanhood, relationships, double standards and life in general. They come from
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Larkin Poe, the Atlanta-raised duo of Rebecca and Megan Lovell, remake Lenny Kravitz’s ubiquitous 1998 hit “Fly Away” as a moody, acoustic number, propelled by bluesy slide guitar. It’s the band’s latest taste of their upcoming covers album Kindred Spirits and doubles down on the atmospheric vibes of the LP’s prior release, a rendition of
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